Rekha Favourite Items Food Songs Music Colour Hobbies

She’s known as the “Ageless Beauty”. Time may have passed for many others but for her passing time is a blessing. She seems much more ravishing, more lovely and more gorgeous. She rules hearts.   Yes…you guessed it directly. It’s “Rekha ji”. In her youth she’s played in movies like silsila along with umrao jaan…and lately she gave us a detective behave in super naani, in which she ruled the hearts of children as a very cool naani.It is not surprising that individuals wish to know more about her own. Considering that the passion and love of individuals with this evergreen beauty below are some facts.   Rekha ji enjoys wear; we have observed her beautiful saris that are donning but don’t mean that she couldn’t carry wear off. Infect she combined with a couple of others brought the change from bollywood we see today.Having lived years her hobbies rather comprehend. She loves to collect postcards…and pictures, Old and fresh. You can ask to see her library, where she keeps her collectables should you meet her.

Rekha Favourite Things Food Songs Music Colour Hobbies

Rekha Favourite long layered hairstyle with dress

Rekha ji Favourite Dress:

Rekha ji Favourite Hobbies:

  • Accumulate postcards, pictures both old and also new

Rekha ji Favourite Actress:

Rekha ji Favourite Actor:

  • Amitabh Bachan, SPK Shahrukh Khan

Rekha ji Favourite  Colour:

  • Vegetarian meals must be located in Indian Standard food

Rekha ji Favourite Sweets:

Rekha ji Favourite Vegetable:

Rekha ji Favourite items:

Rekha ji Favourite workout:

Rekha Favourite Things Food Songs Music Colour Hobbies

She loves to draw and sing besides collecting post cards along with pictures. Not just sketches but she is a design artist that is fantastic . Not to forget she is a really good impersonator. She can behave like every other celebrity and you wouldn’t be able to comprehend her.

She has a family of eight siblings and have some spiritual values. Infect she believes in rebirth and seven lives. Want her to reborn.

Rekha interesting facts and long hairstyle

Her favourite industry people are Nargis ji, Guru dat, Amitabh bachan, Shahrukh khan and meena kumara. Shah rukh’s Chak de act is loved by her in which he acted as a baseball player.

Whitney houstan along with Lata Mangeshkar are her favourite singers.she lives Eastern and western songs both.

Her favorite colors are Golden,   Black and Red. Infect she wears saris that are gold with reddish color of lipsticks in Award works.

She’s a vegetarian and enjoys Bhindi. In candies she enjoys ras malai. Green vegetables are her all-time favorite.

She is quite romantic in her mind. Make small gestures and her manner of expressing love is to cherish the person. She enjoys Yoga and it has been a part of her lifestyle.

She’d want to do 13, if you ask her what is it? Well the list isn’t short. She’d like to exhibit her paintings, her art and she would like to do given the chance.

Well whatever she’s … we hope that she always remains smiling and smiling.

Top 10 Dance Music Videos of All Time on YouTube

Examine the bigger picture and it’s always important at times to have a step back. YouTube plays a part as important while flowing on Spotify is king at the moment. The giant is host solely to music videos from such artists, making the stage valuable.

As dancing music has exploded within the past 3-4 years, a number of music (and lyric) videos have passed the billion-view threshold.

The worldwide 2015 struck “Lean On” by Important Lazer & DJ Snake comes in at #1, followed closely with the lyric video for “Closer” by The Chainsmokers and Halsey. Calvin Harris comes in at #3, but he is also the hottest artist on the listing, controlling three of the top 10 slots, even while young upstart Alan Walker has already amassed more than a billion views for Faded.

The list is rounded from Martin Garrix’s breakout hit “Animals” only above the one billion mark, also David Guetta’s cooperation with Nicki Minaj, “Hey Mama.”

Important Lazer & DJ Snake — Lean On (feat. MØ) — 2.19+ billion

The Chainsmokers — Closer (Lyric) ft. Halsey — 1.88+ billion

Calvin Harris — This Is What You Came For ft. Rihanna — 1.81+ billion

Avicii — Wake Me Up   — 1.39+ billion

LMFAO — Party Rock Anthem ft. Lauren Bennett, GoonRock — 1.36+ billion

Alan Walker — Faded — 1.33+ billion

Calvin Harris — Summer — 1.17+ billion

Calvin Harris & Disciples — How Deep Is Your Love — 1.16+ billion

David Guetta — Hey Mama ft Nicki Minaj, Bebe Rexha & Afrojack — 1.15+ billion

Martin Garrix — Animals   — 1.07+ billion

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Built-in Wardrobes Ensure Better Use of Space

You can make the best use of the rather expensive real estate that you have chosen to live in if you use built-in wardrobes to take care of your storage problems. There was a time when such wardrobes were considered as luxuries for a home, but times have changed and this is a fitment that is now a standard for most interiors.

You can use a built-in wardrobe for any room in a home, be it the bedroom (where it is the most common), the living room, bathrooms, or other living spaces. The main idea behind building such wardrobes is to make the most efficient use of the space available. You can use a wardrobe that is built-in to span between two walls. Most of these wardrobes will back onto a wall, and this can help you to avoid any structural element at the back of the wardrobe. You can also make a wardrobe that goes from floor to ceiling and thus can give you even added space and other advantages, improve your home looking with us in your budget.

Before you decide on building such a wardrobe, you must be clear of the use that you will have for it. You can find a lot of ideas over the internet and must decide on the interior layout of the wardrobe, that it is the most suitable to the things you want to store, and the use you will make of them. If a built-in wardrobe is to serve both the ladies and gentlemen in the family, the two spaces being used by them may require a separate design. Women may require space for long hanging dresses, while men may prefer drawers for shirts and sweaters, while they need space for hanging suits.

Shoes are often stored in these wardrobes and this may require a separate space that allows for convenient storage of all footwear. Wardrobes can also be used to accommodate bedding supplies, linen, and other things and must be designed accordingly.

Groove Terminator talks 30 Decades of Australian dance music

This season sees Simon Lewicki celebrating three decades of mischief since Groove Terminator.

Starting out as a hip-hop DJ in his hometown of Adelaide from 1987, Lewicki made his way to the climbing club scene of Sydney in the mid-’90s. From there he swerved into building a couple of artist records with Virgin/EMI — 2000’s Road Kill along with 2002’s Electrifying Mojo— who cemented the GT title and made him a local festival circuit.

The two Groove Terminator LPs came in a formative time. Even though Road Twist nodded to Fatboy Slim with a sample-driven big beat sound, its own follow up featured digital maestro Andy Page as an studio collaborator. The mid-2000s watched up Lewicki team with Sam Littlemore for the project Tonite however there was room for standalone GT about the bar circuit.

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30 years on from Lewicki, that awakening and his alter ego are specialists of the arena. In his life, the DJ-producer repetitions house music on the weekends and performs his 9-5 as A&R Manager for Publishing and Recordings for TMRW Music Group (previously Ministry of Sound Australia.)

Lewicki can also be on board as the Director of Orchestrated after seeing the MOS Reunion Tour’s sold-out success. The displays in Melbourne and Sydney will reimagine dancing classics with a live symphony orchestra, together with GT also joined by Daniel Merriweather and Owl Eyes. The toughest part is determining which particular anthems make the trimoff.

“We’ve got a working set-list that’s true to what Australian classics have been,” Lewicki informs inthemix. “You whittle it down out there to what is likely to sound great with an orchestra behind it. I could’ve easily done a four-hour show with this much stuff.”

Sinking into the spirit of celebrating the past of Orchestrated, inthemix requested us to walk .

What’s life like as a DJ before you made your very first album, Road Kill?

It’ll seem weird to people however I did that the very first. It was completely illegal but I sold thousands and thousands of duplicates. I get people hitting me up on it. It was a time in a community of a couple thousand people. Everyone was really in it and super-critical of their standard of mixing.

I transferred to Sydney so I grabbed the tail-end of the expat celebrations. Subsequently with guys like Phil [Smart] and [Sugar] Ray doing Tweekin’ to a Friday night , there was an extraordinary party vibe. I really don’t know when the medication had something to do with this, however, the music in Adelaide was a ton quicker than Sydney, so it took me some time to slow down it! That’s when I started getting more into that very first wave of filter house, which occurred together with the arrival of Daft Punk.

I signed about two years. I was the first DJ and they had no clue what to do with me personally.

Can it be a surprise for you as well that you were suddenly an artist with a record deal?

Josh Abrahams Paul Mac and I got picked up around exactly the exact same moment. And a wave of executives came in and everybody got dropped together with me. Obviously Josh then proceeded to make ‘Addicted To Bass’ and Paul had the biggest listing of his career [3000 Feet High] two decades after that.

Kathy McCabe, who’s currently in the Tele, was A&Ring afterward, and I believed it was eyesight on their own behalf. I can not even begin to imagine the type of discussions she had been having with EMI in the moment, who had activated their having anything that is not done for most of the ’90s. They proceeded to get an wonderful run.

Was there a specific release out there in the time that turned EMI onto you?

I had a record out on Dance Pool [‘It’s On’] and I had done a remix for [UK dance-pop group] Dead or Alive that had gone gold. I had been given an advance, so I did everything you’d usually do if you’re granted a whack of money get onto a plane and go to Europe. I ended up with most of an album thank god, but it still took me a year and a half.

“I really don’t know if the medication had something to do with this, however, the audio in Adelaide was much quicker than Sydney”

It was to make a record back then —   I delivered it fairly cheaply but to get a sampler was 8000 back. I started off as a hip-hop DJ and that I approached things with this particular magpie sensibility. I was fortunate they coughed up.

Were the advances then unlike anything that an artist would see now?

Well, here’s a good example. I had been signed to Virgin to make a listing. Most folks would have gone off and purchased a house and still exercised a way. I chose to utilize it all to make the record. You get to a point where you’re running out of money.

“I really don’t think people have an opportunity on documents as much nowadays.”

Fortunately my buddy Tim [McGee] worked in Central [Station Records]. Also he went and I told him I had so I flicked that off to him and sold it in the united kingdom to Ministry. We got roughly a $50,000 advance for this. This was the kind of money that floated about back then. I thought, ‘Oh, this is fairly easy, I could definitely keep doing so!’

And those sorts of numbers dried up. I really don’t think nowadays people have an opportunity on documents as much. If you’ve got every label on the planet is going to be knocking down your door to throw money at you. However, no one’s going to take a chance.

Can Road Kill take its cues from what was occurring internationally with digital music at the moment?

You can certainly hear the effect of ol’ Norman Cook on that record. I was a fan. To me it was really important to take everything I had been into — punk, hip-hop, breakbeats, house audio, and also the pop up I climbed up on — and then mash it all together.

‘Here Comes Another One’ was based on an MC5 riff. Subsequently [The Fifth Dimension’s] ‘Let The Sunshine In’ [sampled on GT’s ‘One More Time (The Sunshine Song)’] is such a ’60s anthem of the moment. I had been hanging out with Fatboy Slim a little, and I truly wished to make a record that he would play in his collection. This was my intention for that one. After it was heard by the label, they were like, ‘No, ‘ that’s your only.’

I had been looking back at some older Big Day Out line-ups, and I first saw your title in 1996.

I did in a row like ten Big Day Outs, and now I feel the previous four or five I had been in the touring party. It had been me and Paul and Bexta Mac — it was a community with the people about the line-ups everywhere. I’m still friends with all those people now.

I recall playing [the ‘ Chemical Brothers’] ‘Block Rockin’ Beats’ at the Boiler Room when that record was huge, and the reaction was just over the top. In 1997, The Prodigy was the very first digital action to perform the main stage, and I remember thinking ‘Oh yeah, we have arrived, we are taking over today.’ It was a great moment.

“The 2006 era needed The Presets, Cut Copy, Sneaky Sound System; I believe time stood up any place on the planet and always will.”

The line-ups was crazy, since you’d have then and Aphex Twin OMC [of ‘How Bizarre’ celebrity]. It would not be merely techno all day. I believe that the diversity was super-important and informative. There was a lot of tribalism happening with genres ‘I like techno’ or ‘I just like happy hardcore’. You’d see it with all the tribes dressed in their way in Central Station Records. But everybody comes together in the Boiler Room.

From the early 2000s, when Road Kill came out, there is a groundswell of other Australian digital groups: you’d Pnau, Sonic Animation, Resin Dogs, The Avalanches…

Yeah, you noticed it when it was time to collect a tour to get a record. I toured with Sonic Animation and I toured with Grinspoon, you understand? It was like, ‘They both play Big Day Out, they could go!’

I know that the songs the Pnau boys had been making before they found nightclubs was full-on psytrance. And they had this moment, found Derrick Carter and DJ Sneak, and went stateside. Then the Avalanches album is just one of the best to ever come from this country stop. I recall that being the soundtrack of summer hanging out with…oh, I’m not even going to name-drop, however a few touring DJs! That album was being played with nonstop.

In that 2005-2008 period once you started Tonite Just, the audio coming from Australia felt very connected to an worldwide phenomenon.

From the early 2000s everybody was in their own lane setting out their records. Then I think that the advent of having the ability to record in-the-box and not go into studios attracted the cost of production right down.

This 2006 era had Cut Copy, The Presets, Sneaky [Sound System]; I think will and always that moment stood up any place in the world. Those documents had a large influence. I recall seeing DJ AM do an open format hip-hop/rock/party set and going to LA, playing [the Just remix of Sneaky Sound System’s] ‘Pictures’ in its middle. That wave of electro — with a clean sawtooth wave, a snare and a kick — only sounds great loud. You can not beat it.

As a young DJ, you’re Australian runner-up from the DMC DJ competition. The tools of the trade have changed quite a great deal since then…

When I started DJing, I did not even see [Technics] 1200s for two decades. It was this idea that there! It had been like, what? These were the types of discussions.

You are able to learn to DJ in about 90 minutes so the bar has lowered. The thing that’s not likely to change is that the art of DJing is understanding what tune to play next. That is any time period, any genre, ever. That’s how you rock a celebration: understand what tune to play following the one that’s playing.

Orchestrated together with the Ministry Of Sound Orchestra strikes Melbourne’s Hamer Hall on Friday August 11 and Sydney’s State Theatre on Friday August 18. Tickets are now on sale.

Jack Tregoning is an independent writer based in New York. He’s about Twitter.

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